Exploring Castle Hill, Lancaster

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I spent yesterday afternoon in Lancaster, one of the most historic locations in the north of England. It’s a small city which has held onto its medieval character, and though it has the usual high street names within its town centre arcades, it has avoided the towering presences of high rises and industry. The only towers in Lancaster belong to the churches and the Castle.

Lancaster Castle sits on a hill overlooking the city, a key strategic position of power. Almost 2000 years ago, the Romans settled their first garrison in a perfect spot to keep an eye on the Scots and Picts to the north, and to have access to the river Lune and from there to the sea.

The current grade 1 listed building dates back a thousand years to the Normans, though the structure has been changed many times over the centuries. Until  2011 Lancaster Castle was still in use as a prison. The notice remains in place near to the ancient door, and barbed wire is still intact on the ramparts.

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English monarchs, entitled as Dukes of Lancaster, have owned the Castle since 1265.

The Castle offers fascinating guided tours; a chance to visit the damp dark cellars where the dingy cell walls display the centuries-old scrawlings of prisoners awaiting their fates. Amongst those imprisoned and later executed in turbulent and intolerant times were the Lancashire witches and 15 Catholic priests. Many ordinary Lancastrians were also tried at Lancaster. There were over 200 executions at the site known as hanging hill close to the Ashton Memorial at Williamson Park. You can read about my visit there if you click here  . A Castle tour wasn’t on yesterday’s agenda for me, but based on previous experiences I can recommend it.

Despite the blue sky and the bright sun it was windy and quite nippy on the hill so I was glad to head for the warmth of the Priory Church which is just behind the Castle. I admired the swaying congregations of spring flowers in the Church grounds.

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If I were a betting woman, I would have wagered that if there was just one day in the week when a church would be open, it would be Sunday. Not so. Incredibly, the doors to the splendid ancient building were bolted shut. I was disappointed not to see some of my favourite misericords, and to gain some temporary respite from the chill. I grumbled for a few minutes with another thwarted visitor before taking a turn around the grounds.

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On a bright day you can see the sea from the wall.
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Looking down from the Priory grounds beyond the Georgian houses and over the city, with the Cathedral spire and the Ashton Memorial in the distance.

I noticed a sign pointing to the remains of the Roman bath house and decided the follow the path alongside the burial ground.

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You can see the posts which would have supported the bath house floor, kept warm by under-floor heating. This is believed to be what remains of the the last of three Roman settlements in Lancaster.

From the ruins, I headed back up the east side of the hill and back to the Castle grounds to seek out my next destination.

 

 

On the way I passed the former premises of Gillow & Co, cabinet makers, founded in 1727 by Robert Gillow who had started out as an apprentice joiner. Some fine examples of Gillow workmanship were on display where I was headed next.

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Lancaster Judges’ Lodgings is the city’s oldest town house. It was originally home to Thomas Covell, Castle Keeper and notorious witch-hunter. From 1776 it was used as a residence for judges attending the assize courts at Lancaster three times each year as part of their circuit of the northern counties. It continued to provide accommodation for the judiciary until as recently as 1975. In the 18th and 19th centuries it was usual for two judges to be in residence along with their families and even their servants.

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The building is now a museum with the first two floors reconstructed authentically. Below, we see His Honour getting ready to leave for work at the Castle Court.

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Some of the furniture in this room was produced by Gillow & Co.

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This is a very small museum and there was a member of staff in almost every room available to answer questions if visitors were to approach them, though there was little in the way of information displays.

The building’s top floor houses the Museum of Childhood, rather incongruously, I thought. Not staffed, and very different in tone and content to the two lower floors, it felt as though there had been a left-over space that ought to be made use of. To my mind, it would have been ideal for exhibits relating to some of the cases that the judges would have tried, and for information about the assize courts system, trial and punishment throughout the ages.

Instead, there were several showcases of toys from the Victorian era up to the 1980s including some of the most sinister dolls imaginable. The lighting was poor throughout, so the photos are not the best.

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Humpty Dumpty – not like the jolly character in my Ladybird book

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The teddy looks desperate to be rescued.

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Some of this bizarre collection of curiosities and horrors on the judges’ top floor looks more like the stuff of childhood nightmares, but I’ll leave that judgement to you.

 

Bickershaw: a plant-potted history

At the weekend, inspired by the arrival of spring, I visited Bickershaw Hall Nurseries, a small garden centre just outside Wigan.  This friendly family-run business also sells seasonal plants, fruit and vegetables at the town market, so as I was passing by I decided to have a look around.

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Despite the record-breaking warmth of the past week, it is still February after all, and the big greenhouse looked almost bare apart from a few splashes of colour. This time next month it will be fragrant with herbs and bursting with botanical brightness.

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Whilst perusing  the perennials I chatted with the owner who told me her family had established the business nearly 50 years ago on land which had been bought much earlier following the demolition of Bickershaw Hall in the 1940s. Built in the 17th century, the Hall fell into disrepair, made uninhabitable by coal mining subsidence. The only remains are this house which had been servants’ quarters and the cattle shelter which you can see below, now both used by the Nurseries.

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Our conversation turned to another local history connection. In 1972, the land where Bickershaw Hall had once stood had gone to seed. Bizarrely, a consortium of Manchester business people and others from the music industry selected the site to host a massive music festival. One of the organisers was a certain Jeremy Beadle, and the headline band was The Grateful Dead. Other illustrious artists included The Kinks and Bryan Ferry, and the list went on… It was to be a spectacular event and the crowds arrived from all over the country.

Of course, by today’s standards the special effects look unsophisticated. A high-diver who descends gracelessly into a burning paddling-pool even seems comedic.

Unfortunately, severe rain made the event a washout, and the field looked like a scene from Glastonbury but without the associated coolness. The Grateful Dead were not feeling very grateful as this short clip shows.

The festival-goers, bless them, still seemed in good spirits despite their tents having sunk into the mire. This would have been an unprecedented occasion for them, and they would probably have just enjoyed being part of it.  I like the interview with a local shop keeper who describes the weird and wonderful foodstuffs he has stocked for the pleasure of the Bohemian showbiz types including yogurt, something he’d previously ‘heard of’ but ‘never seen’. Well it was only 1972! 🙂

My curiosity roused, I asked for directions to the festival site. A short walk led me to a path off the main road with woodland to the left.

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A couple of cars passed me from the direction I was heading, making me feel less wary about venturing alone  into what seemed quite a secluded place. I smiled to myself, picturing the hoards of party people ambling this way in the summer of ‘72.

The path opened out into a car park at what I could now see was a fishery: artificially created ponds stocked with fish for paid-up anglers to spend whole days trying to catch. One pond looked quite tranquil with nobody around.

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Whilst others took on a more sinister appearance. I hope that was a just scarecrow….

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I followed a path to the right in the direction of a familiar looking field, but not before passing the remains of a burnt tree stump, strangely decorated.

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Then there it was…. the venue!

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Try as I might, I wasn’t feeling that vibe. The festival spirit had been washed away in that July deluge.

Bickershaw Festival has achieved a quiet cult status; the 40th anniversary reunion held in 2012 (a much, much smaller affair) was even covered by the BBC. Needless to say, Bryan Ferry and the Kinks were unavailable on that occasion.

 

 

 

 

 

Out on the tiles

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Readers of some of my other posts may know that I am very fond of ceramics, in particular the high-glazed pottery tiles synonymous with the Victorian arts and crafts movement. I love the lustrous decadence of the rich intense colours from the period, and  the opulent crackle of the glaze.

Some of the best examples can be found beneath our feet gracing the ticket halls and the platforms of subterranean train stations or even the humble relics of gentlemen’s public conveniences. I have been known to visit places ( not men’s toilets!)  just for the tiles, whilst on other occasions I have made unexpected discoveries, sometimes in unlikely places. Here are three of my favourites in the city of Manchester.

1. The Principal Hotel ( formerly the Palace Hotel). This grade 2 listed building on The corner of Whitworth Street and Oxford Street was built between 1891 and 1895 by the architect Alfred Waterhouse for the Refuge Assurance Company, a very successful insurance business. The outside of the building is nothing extraordinary….

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…but the inside is glorious!

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I love the glamour and the sense of the exotic conjured by the pillars and foliage. The design is of glazed brick and Burmantofts faience, a decorative style of architectural terracotta and glazed pottery which used warm cream, buff, rich orange and rusty tones. The Burmantofts company emerged in Leeds in the late 1850s with Waterhouse being one of their patrons.

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An overseas-based friend and I meet in Manchester once a year when she visits family in the city. Our venue of choice is almost always the Palace where for a couple of hours we can escape the Manchester rain and the hustle and bustle of the world outside and marvel at the sparkling chandeliers’ reflections on the glossy surfaces of the walls around us as we indulge in afternoon tea.

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2. Peveril of the Peak. This iconic Manchester public house has stood near the Bridgewater Hall since the 1820s and is named after the novel of the same title written by Sir Walter Scott (better known as the author of Ivanhoe) in 1823, but set in the 17th century.

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Peveril is brilliant. It’s actually nothing special inside, but wonderfully incongruous in its modern and muted surroundings this Victorian pottery pub is also grade II listed. Some of the outer tiles were added in the 1920s but have remained unaltered since – happily for those of us who like its style.

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3. J&J Shaw Ltd. This is my favourite doorway in Manchester.

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J & J Shaw established the furniture warehouse in 1924. This place is a hidden gem, tucked away close to Oxford Road train station.  I love the colours and the detail and can never resist tracing the shapes of the smooth leaves and fruits when I pass by. Its gorgeous art-deco entrance hints at the possibility of stylish furnishings that customers might have perused once they had stepped through the pottery portal. How exciting! They don’t make doors like they used to, do they?

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On destiny, karma and changing plans

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We talk a lot about the weather here in the UK. We never cease to be amazed at what shouldn’t really surprise us at all, as our weather is nothing if not unpredictable. But this year, we have been spoiled. Last winter outstayed its welcome, the last snow falling at Easter, but summer – when it arrived – was long and glorious. An exceptionally mild and bright autumn followed, dry and unseasonably warm. A recent visit to London was on one such day.

Inspired by an episode of Gardener’s World which featured two Indian inspired gardens, I had planned to visit both locations. Like the weather, even best-laid plans don’t always turn out as expected.

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Shri Swaminarayan Mandir in Neasden, north London is a very beautiful Hindu temple. At the time of its completion in 1995 it was the largest outside of India. Incredibly, the Bulgarian stone and Italian marble of which the temple is constructed  were first shipped to India to be hand-carved and engraved by traditional craftsmen before being shipped to the temple site.

Photography inside the building is prohibited. Visitors must leave all personal belongings except purses, wallets and mobile phones inside their vehicles or inside the security cabin in front of the temple. Eagle-eyed security people watch for attempts at phone photography, which is fair enough. The interior is exquisite; the expanses of marble and the detail in the carved stone pillars brilliant. I happened upon three worshippers, friendly old men who spoke with great pride about their Mandir, telling us that it had been paid for by the community. Despite the beauty of the place and the welcome offered by these gentlemen, I found the watchfulness of the security presence rather oppressive. Nevertheless. it was certainly worth the visit and I got a few photographs of the outside once I had retrieved my belongings. No garden shots, sadly.

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Back in central London, I decided to visit one of my favourite shops in the Soho area, and this seemed like a good time to stop for lunch. I thought I would probably grab a sandwich and find somewhere to sit outside rather than waste an hour of my day in a restaurant. Waiting to cross a side street, I was attracted by the sound of gentle drumming and chanting  but couldn’t make out where it was coming from. Deciding to find out, I soon came across the familiar sight of orange-robed Hare Krishna devotees seated outside a small RadhaKrishna temple.

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I was delighted to see that the temple incorporated a ‘karma free’ cafe offering simple vegetarian fayre. Forget the sandwich; the plan had changed.

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There may be no such thing as a free lunch, but a karma free lunch is another thing entirely. I ordered a plate of poppadoms with spicy dips and a small green salad accompanied by a glass of fresh apple juice, all for the amazing price of £3.50. Govinda’s was very crowded and I had to share a table with some other people, something I wasn’t entirely comfortable with, but it was all part of the experience. I ate quickly, as even more people were waiting to be seated.

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A security man paced back and forth constantly, more than I thought was necessary or polite. On my way out, I asked him why his presence was called for in what seemed a nice place full of peaceful diners. His answer was ambiguous but he told me they often had “trouble”.

I decided to walk for a while as I had time and it was a lovely day. I wandered down Whitehall in the direction of Big Ben and the Thames.

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The second garden I wanted to visit was a newly opened creation at the Aga Khan Centre which is not far from Kings Cross Station. Monty Don had been given a sneak preview during the summer but the Arabesque symmetry garden had only opened to the public in late September. I was so happy that the day had turned out sunny, as I suspected that an exotic garden would probably require a certain quality of light.

It took me a while to find Aga Khan, an odd looking building which incorporated ancient Moorish designs into its very modern facade.

 

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In I went, and out I came again, just moments later. Needless to say, I had looked at the website before planning my visit, but clearly I had missed the part which told readers that visits could only be made on Thursday afternoons by prior online booking. They were already booked up for the next three months.

The sun might have been shining on me, but Fate was behind a cloud, or so it seemed. I still had a couple of hours before my train so I decided on a walk around the Kings Cross area. This proved to be a revelation and worthy compensation for my earlier disappointment.

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Hundreds of people had come out to enjoy the warm autumn day, sitting along the towpath of the Regent’s canal or picnicking on the grass, or even perusing the floating book store where I picked up a battered anthology.

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Things often have a way of working out not as expected, but better. One thing doesn’t work out but something else turns up instead; something which might not have been discovered if the plan had….. gone to plan. 🙂

 

 

 

 

 

An English Village

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I recently visited the little-known village of Trim. It is a unique place on the west Lancashire coast boasting an abundance of desirable residences and traditional independent shops on the edge of the village green.

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Brightly painted narrowboats are moored along the canal, attracted to the peaceful surroundings and the hospitality on offer at the Horse’s Head pub.

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In some ways, this place has been frozen in time and gives the impression of an England that no longer exists.

Trim enjoys impressive facilities for a rural location of its modest size, including a post office, fire station and a police station.

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Two train stations: Trim and Brady provide frequent services, which seem to be unaffected by industrial action and chaos resulting from new timetabling.

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The vintage green line train passed by about 20 times or more during my short visit. Another train of an unusual European design conveyed some eccentric passengers including a Princess Diana lookalike and her consort, both in Edwardian dress, and another woman – possibly an artist – who offered me a rude two-digit salute, though she may just have been flashing a particularly showy ring.

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Trim has a fascinating ethnically diverse population. A community of faerie folk lives deep in the wild grasslands to the west of the village.

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The faerie realm amidst the wild lands

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Based on my observations, they appear to go out in pairs or threes, looking utterly miserable. Seemingly interested in watching from a distance the comings and goings of the human villagers, the wee people don’t appear to participate in village life. I didn’t see any faerie men in the locality, so it’s possible they live as a female only collective.

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Mushroom magic or mushroom misery?

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A recent increase in crime and wickedness is threatening the very fabric (or mainly the glazing) of what should be a perfect place to live. Close examination of some of the posh properties revealed cracks in the surface of the shiny windows.

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Despite extensive house-to-house enquiries carried out by the local constabulary, they haven’t yet found out who is behind the window-smashing campaign. My money is on the person I saw peering through the panes of one house, rock in hand, about to strike. An enormous white sock pulled over his head made a cunning and effective disguise.

A more worrying development is the giant bird which has been making an appearance recently.

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Though it has been mainly foraging amongst the reed beds near to the faerie habitation, I saw it for myself in the centre of the village outside the taxi rank, and again later on top of the post office where it seemed, somewhat ironically, to be taking an interest in a cat which had ventured onto a nearby rooftop and fortunately was about to be rescued by the emergency services.

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Happily, the village people seem unperturbed by the colossal feathered presence, and life carries on in its typical timeless way.

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The cricketers watched their wickets on the green; a newly married couple emerged from the church; outside Bistro Pierre, a fine diner momentarily rested against the wall for support, possibly having had one glass too many.

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Outside the pub, a man served his time in the ancient stocks for some unmentionable crime. The faeries looked on…. still miserable.

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The British Lawnmower Museum, Southport: gardening habits of royalty and celebrities, a grass-cutting obsessed curator and a lesson in Qualcast mechanics

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Rain has recently fallen on my part of the world for the first time in four weeks; and very welcome it has been! I love the sun and the heat and have basked and baked under the glorious rays, enjoying each day as it has arrived in all its fiery glory. I have trudged nightly, heavy watering can in hand, across the lawn to quench the thirst of wilting flowers. My little lawn has suffered in the extraordinary heat. Straw-like patches have appeared amid the verdant blades. It is incredible how quickly the lawn has rallied after just three heavy downpours; new growth has already sprung forth, and the dry but cooler weather of the last few days has aided the revival. I eagerly await the return of the intense heat but a (hopefully brief) respite is literally a breath of fresh air.

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Lawns. Mine is only small. We Brits love them. We love sitting on them. We love walking barefoot across them. Playing tennis on them is another British pastime. Most of all we seem to love mowing them. All this lawn talk reminded me of a museum I had heard about that is dedicated to that instrument of lawn beautification, the trusty mower. When I first heard about this repository for mechanical grass cutters, I thought it must be a joke. Certainly, these most labour-saving of horticultural contraptions hold pride of place in our garden sheds, but could there really be a museum celebrating their existence? I decided to head to the coastal town of Southport to find out mower (sorry!).

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Shakespeare Street, just a short walk outside of the centre of Southport, is quite ordinary except that it is the location of a centre of national gardening heritage, the British Lawnmower Museum This fascinating place was created by owner, Brian Radam, whose family business, Lawnmowerworld, is adjacent. In fact, visitors must go through Lawnmowerworld – a business which specialises in the sale, servicing and repair of all things lawnmower-ish – to enter the Museum. According to its website, ‘The Museum retains a character not often seen in these modern times’; I would not disagree.

I paid my £4.50 entrance fee and passed through the turnstile which separates the shop from the Museum. Brian – curator and business owner – explained that there would be an audio guide which would provide details about some of the many exhibits and about the history of lawnmowers in general. He asked me if I was interested in the devices, and I confessed that I was not, beyond their usefulness in my own garden, but that I was fascinated by the idea of a museum being dedicated to them. Fortunately, Brian didn’t seem to take offence at my frank response.

 

 

The audio commentary proved to be very informative, containing lots of interesting details about the invention of the first models and how they were initially dismissed by critics who thought they would never take off! The commentary and the Museum’s website inform that ‘the lawnmower was patented by Edwin Beard Budding in 1830’. At the time, Budding was thought to be insane and ‘had to test the machine at night so no one could see him.’ Needless to say, Brian has the prototype in his collection and was happy to demonstrate to me how it worked. Two men would have been needed to move this revolutionary piece of machinery, so Brian had to multi-task in this demonstration.

 

 

Only a fraction of the Museum’s total collection is on display, with the rest being stored away at a secure location. It wouldn’t be possible to show everything. It’s a rare thing to be guided through a museum by a curator. Brian helpfully hovered, powered by enthusiasm, revealing interesting snippets. I learned a lot on my visit, though I have to say that as I’m not mechanically-minded, some of the more technical details went over my head.

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These enthusiastic lady gardeners demonstrate the first petrol powered lawn mower produced by ATCO (Atlas Chain Company) in 1921. It was designed by the factory’s managers after the sad death of the horse which had previously pulled the old lawn cutter around the grounds.
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The world’s biggest lawn mower

 

 

 

 

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Lawn bling

I found the Museum a lot more interesting than I had expected to, and was particularly entertained by the collection of celebrity mowers and devices which the rich and famous have donated. Here are just some of them.

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Eric Morecambe’s mower
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A donation from Richard and Judy
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This splendid lawn maintenance collection was a wedding gift to the Prince and Princess of Wales. I was intrigued to know who would have selected this cutting-edge gift for the couple and what it must have looked like when it arrived gift-wrapped at Kensington Palace.
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Paul O’Grady’s unique instrument
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Slightly macabre in its noose is the mower of Britain’s last hangman, Albert Pierrepoint.
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Nicholas Parsons’ contribution

I asked Brian if he contacted celebrities to request their expired devices. I was quite surprised to hear that it was they who contacted him and invited him to their posh pads to collect the aged contraptions. I was particularly amused by an anecdote about Nicholas Parsons who went on to offer Brian not only the mower originally promised but virtually the whole contents of his shed! With all that stuff to get rid of, Nicholas Parsons could have put on the car boot Sale of the Century! (if you were born after 1970 you will have to ‘Google!’)

On one wall, Brian has displayed some photographs of himself meeting celebrities at various events to do with gardens or machinery or when they have visited the Museum.

 

 

 

 

Brian didn’t mention during our conversation that he is a former racing champion and played down taking part in (and winning) a TV quiz show, various media interviews over many years and participating in other TV programmes and conventions. As a curator, Brian Radam is a cut above (sorry again!) those of most other museums and brings back to life through enthusiasm, knowledge and humour the rusting relics of gardening yesteryear.

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Glastonbury – the site of Avalon and all things magical

Every year, for five days in June, the attention of many music fans in the UK and beyond is on a festival held on farm land near Glastonbury in Somerset. Now an iconic event which has become woven into the fabric of British culture, the Glastonbury Festival has morphed from its hippie roots into a spectacle attended annually by well over 100,000 enthusiastic spectators. Wellington boots have become synonymous with ‘Glastonbury’ due to the frequency of heavy downpours which coincide with the event, but unlike the sodden earth, spirits are not dampened and the music plays on. To many, ‘Glastonbury’ is just that: an annual musical mud bath, now part of the mainstream and attended by the industry’s greats. No longer alternative or counter-cultural, it is half a century, and a mile and a half – as the crow flies – from its roots in the small west-country town where its conceptualisation sprang up from the mystical ground.

This is a ‘fallow’ year for the festival; a chance for the well-trodden fields to breathe and rejuvenate, but there is much more to this place than music and mud as I discovered last summer.

Glastonbury is steeped in history, myth and legend. It is reputed to be the location of Avalon, the magical site of the court of King Arthur, the knights of the round table, the Lady of the Lake and the wizard, Merlin et al. The Arthurian connections are celebrated (and marketed) all around the town, amongst them a restaurant called Excalibur and various shops whose names offer a nod. It is not hard to understand why people from all over the world flock in their thousands every year to soak up this ambience. Glastonbury is unique!

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The Abbey ruins to the south of the town are nothing remarkable in themselves; little of the shells remain compared with many similar ruins to be found around the country. Apart from the impressive wildlife area and interesting sculptures by local artists, the feature which stands out and makes this place so irresistible to tourists is the simple marker which indicates the supposed site where King Arthur himself might be buried. The remains of the church have been made safe and developed into a beautiful space where wedding ceremonies can be held in the former crypt. St Patrick’s Chapel, a tiny Norman structure within the Abbey precincts which contains exquisite decoration on its walls, is also still in regular use by Christian worshippers. Another fascinating inhabitant of the Abbey is the Holy Thorn, supposedly planted by Joseph of Arimathea as a cutting from the tree from which the holy cross was made.

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The Joseph of Arimathea connection continues. This disciple of Jesus is said to have brought, in secret, the Holy Grail – the chalice from which Christ and his disciples drank at the last supper, and many ‘Grail’ seekers are convinced that the much-celebrated vessel still lies hidden.

Near to the foot of Glastonbury Tor – a legendary and ancient hill overlooking the town – lies Chalice Well, probably my favourite place on this magical map. As the reputed site of the concealed Holy Grail chalice, it is naturally a place of great intrigue and attracts many visitors. The focal point is the well head, reputed to be the place where the chalice is hidden far below the surface. This spot is a popular gathering point for reflection, meditation and group ceremonies such as the Lammas harvest gathering which took place at the time of my visit. The well feeds into an underground water course which flows into a much-revered spring, the Lion Head, from which iron rich water emerges. There are several legends which attempt to explain the slightly red colour of the spring water, including perhaps the obvious which suggests it is symbolic of the blood of Christ represented by the wine drunk at the Last Supper from the chalice. The water flow never diminishes and the temperature is apparently always constant.

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People of all faiths and none visit the site, which feels very peaceful and spiritual without there being any clear affiliations with any belief system. In the beautifully tended gardens the staff and volunteers who run the site are welcoming and open. Some live within the grounds where there is also guest accommodation which can be booked by groups and individuals. Irrespective of visitors’ views on the legends associated with the chalice and the well, this feels like a special place.

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The mysteries of Glastonbury don’t end there. The chalice is not the only secret in the depths of the town’s natural landscape; lay lines – or dragon lines as they are locally known – criss-cross like a supernatural grid of occult cables, esoterically powering the town. They are believed to be magnetically charged, and points at which the earth’s primal vibration can be tapped into. Those who believe in this hidden energy network claim that they are the reason that Glastonbury has become the focal point of so much spiritual activity throughout the ages from the ancient deities and spirits as old as the earth whose names are now lost in the mists of time, through to the disciples of Jesus.

So…… what of Glastonbury today?

My first thoughts when I arrived in the town were that it was almost exactly what I had expected, but smaller. Vibrant, eccentric, quirky and fascinating are words that describe both place and people. An exciting array of shops lined the main street and more were tucked away in the little courtyards leading off it: crystals, cauldrons, lotions and potions, straight off the pages of Harry Potter but for grown-ups, obviously represents a modern-day continuum of the tradition of magic and healing which is Glastonbury’s heritage. It was easy to distinguish the visitors – who tended to be mesmerised by the street scene, or clicking away with their cameras – from the locals, who were lucky enough to experience this enchanting place as part of everyday life.

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During my short stay I was undeniably aware of a feeling of positive energy in and around the town. I can’t say with any certainty if this raised vibration emanated from the earth’s magnetic forces, or whether it was down to the strong and happy spirit of its residents and visitors. I was taken aback each day by the friendliness I encountered and the natural ease with which people smiled and greeted friends and strangers alike. In my home town, if a beaming stranger approaches, initiates conversation and offers compliments, one of several things might be happening, none of them usually good or welcome. Not so in this town. It takes a little bit of time to adjust to this wonderful revelation that people here are just happy. It is not a coincidence that a significant number of the local population has chosen Glastonbury as their home, having moved here from elsewhere. On the other side of the coin, it’s also clear that not all of those who have come here to seek their personal Holy Grail have succeeded in finding it. There is a slight shadow of a dark cloud behind the rainbow and if you look closely enough you will see the folks who are running, or searching for something elusive to fill a space beneath the shimmer and sparkle. Too often, a flamboyant appearance and larger than life smile can be a fragile disguise.

At the end of the first day, after spending a peaceful couple of hours in the Abbey grounds we decided to head back up High Street to find somewhere to have dinner. It was still only eight o’clock and I was quite surprised to find the area almost empty. Shops were closed and only two cafes were still serving meals. A bench outside the Co-op store appeared to be a sort of meeting place for the sharing of banter and canned beverages of the alcoholic variety, and one of those gathered must have read my expression and decided to add his own thoughts: “It’s boring here, isn’t it? Glastonbury’s crap!” I couldn’t agree with his statement, but it struck me as quite poignant that this was a place where the trends were reversed compared with most towns in the UK: this was a micro society so utterly ‘alternative’ that the small mainstream minority lived in its margins, disconnected.

As the sun set, the vibrant shop fronts faded to grey, finally becoming shadows of their day time selves. Undoubtedly, in homes and hives around the town, there was an eclectic buzz of activity, as minds and souls plugged into the currant of the lay lines, but in the centre of town it was time for lights-out.

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