A short walk around Toxteth and a few surprises.

This post picks up where the previous post ends; you can read about my visit to Granby community gardens here. Having enjoyed my short visit to Granby I decided that I would walk back to Lime Street Station, pacing myself slowly and giving my knees a rest as required. It was all downhill and there were places to sit along the route. It didn’t turn out that way but my intentions were good.

Leaving Cairns Street, I turned the corner and walked right into a film set. I hope the lady who’d asked me if I worked in television wasn’t watching from her window, or I might have seemed like a bit of a fibber. Police cars and uniformed officers – i.e. actors – that I’d spotted an hour or so earlier still seemed to be standing around. I spotted the big TV van with all the technical equipment inside and heard a passer-by ask what was going on; a channel and a drama were mentioned, though not anything I was familiar with.

Quickly crossing the road, I noted plastic sunflowers strung around the scaffolding of another building under renovation. Flower power seems to be the driving force in this community. I wondered if they might find a way to save the huge buddleia that had grown as tall as the three storey building.

As I turned onto Princes Avenue I spotted some street art on a building in the next side street, so doubled back to take a closer look. The venue appeared to be some sort of children’s centre, or possibly an extension of a nearby Methodist church, where lots of kids were milling around in the playground, probably attending a school holidays activity club. A colourful mural covered the front of the building, depicting a mix of African culture, wild animals, fantastical imagery and scenes from the city of Liverpool.

African drummers in what looks like Sefton Park
The Anglican Cathedral, the Mersey river and the pier head form a backdrop to a fantastical scene
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The Liver building

There was more art at the back but as kids were playing there, I had to leave it.

Moving back onto Princes Avenue I admired the flower beds and old-fashioned lampposts and sat for a while on one of the benches.

About fifteen years ago (probably the last time I was in the area) a friend of mine lived for about a year in a second floor flat within one of the large converted villas somewhere along this stretch. I couldn’t believe his luck at the time, living for a modest rent in a beautiful, spacious home with loads of original features and such a great view. Unfortunately, he found the place cold and had some noisy neighbours with lots of issues so moved on at the end of his contract. In some ways, the area reminds me of parts of south Manchester, where formerly salubrious villa-lined leafy lanes have been converted into bedsit lands, student villages, vibrant and energised but not without problems.

Toxteth’s problems are historical and well documented. In 1981 England experienced a summer of riots in Manchester, the Brixton area of London and in Toxteth. In all three areas, tensions between the local black communities and the police had been rising, a result of alleged heavy-handed police tactics and black men being disproportionately targeted for stop and search checks. All three areas had been significantly hit by recession and unemployment was high, especially in the Toxteth area. The rioting was intense, with the police using CS gas for the first time in the UK outside of Northern Ireland. Forces from other parts of the north of England were drafted in to support the Merseyside constabulary. The police later came in for heavy criticism.

Another little detour into a side street revealed a beautifully kept community garden, a tranquil spot to sit for a few minutes. The garden was the idea of 14 year old Khan Odita who raised funds and got backing to create the garden for the enjoyment of all the community. Well done, Khan!

A reminder to residents to take ownership of their lovely space
Looks like the locals have been dining al fresco

Across the road stands Al Rahma mosque, its golden dome and minarets creating quite a spectacle. The area has a large Muslim community, mainly Arabs. Being a port city, Liverpool is melting pot and has very old Yemeni and Somali communities. Other immigrants have arrived from the Muslim world in the last few decades. The mosque was built in 1974, though the Muslim Society that runs it has existed since 1959.

In the distant background I could see the top of the Metropolitan Cathedral of Christ the King, its design not to everyone’s taste. I quite like it. Watch this space for a future post on both of Liverpool’s cathedrals.

Back on Princes Avenue, I took a few minutes to appreciate an art installation, celebrating Liverpool’s heritage as a sea-faring city and those who have come to live here from far flung shores.

Liverpool 8 is the post code for Toxteth, the number eight designed to resemble to chain of a ship’s anchor. Four stones are engraved with words and phrases associated with those early journeys made by immigrant sefarers from the docks to the Toxteth area.

The ‘L’ of the sculpture is engraved with a 19th century map of Liverpool 8.

The sculpture symbolises the spirit and journeys of the people of Toxteth, Liverpool 8, the links of the 8 representing the chain that connects a ship to its anchor. The sculpture reflects the maritime heritage of the community, shaped by merchant seafarers from across the globe, particularly West Africa, China, the Caribbean, Somalia and Yemen. Many of the men settled in the area, marrying local women and building diverse communities.

Just a little further along Princes Avenue, just before its junction with Princes Road, is the delightful Princes boulevard and yet another beautiful garden. Here, we are reminded not only of the global roots of this area but also of the many faiths represented. A plaque provides some details about the key places of worship within a short walk of each other, most still active. The spire of the now derelict Welsh Presbyterian church, once the tallest building in Liverpool and known as the Welsh Cathedral, can be glimpsed in the background.

During the short time I spent in the garden admiring the wild flowers, several other people came in, just to sit on one of the benches and relax for 5 or 10 minutes. For somebody living in a small flat and having no garden of their own, this space must be a godsend.

Moving on again, I immediately found myself at one of the aforementioned places of worship, the Liverpool Old Hebrew Congregation synagogue.

I also noted that Selborne Street was the spot where the riots started in 1981, when Leroy Alphonse Cooper was arrested for challenging the police’s treatment of another black man who they had stopped to search and question.

The synagogue is still in use as a place of worship and hosts Jewish cultural activities and events. It is reputed to have a beautiful interior but is rarely open to visitors apart from school parties.

Crossing the road again, I soon arrived at another of the faith buildings I’d just read about on the boulevard plaque, the Greek Orthodox Church of St. Nicholas. On the corner of Princes Road and Upper Parliament Street, the Greek Church is an interesting and imposing building. Like the synagogue, it is reportedly very attractive inside, but it was not open at the time of my visit.

A feathered seafarer explores the city

The end of Princes Road marks the boundary of Toxteth and the city. Looking across to the top of the Anglican Cathedral, just a short walk further ahead, I decided I would save that for another day.

Toxteth had been full of surprises and well worth an afternoon’s exploration, though I know I only scratched the surface. I’ve already planned another visit for a few weeks from now, with a particular destination in mind but hoping Liverpool 8 will reveal even more of itself.

Granby Gardens, Liverpool

A recent episode of Gardeners’ World filmed at the annual RHS Tatton Park show included a few feature pieces on innovative gardening projects in the north west of England. One that got my attention was about a community in the Toxteth area of Liverpool who had transformed the alley behind their terraced houses into a quirky green space. Their little street, in one of Liverpool’s most economically deprived and ethnically diverse areas, also boasts a very special winter garden, an ambitious and stunning design which I just had to see for myself.

So I set off to Liverpool, just 35 minutes from Wigan to Lime Street station on the fast train. On arriving at Lime Street I jumped into a black cab and gave my destination as Cairns Street Winter Garden and was not surprised when the driver told me he’d never heard of it. I duly provided the post code, which he typed into his phone, but which didn’t seem to provide any further enlightenment.

“Can you not find it?”, said I.

“Oh aye, I can find it,” said he, “but are you sure that’s the right address?”

“That’s the address on the website,” I replied, by then feeling a bit foolish.

The cabbie asked if I’d been there before, which I interpreted (unfairly, as it turned out) as an attempt to find out if I knew the route and if he could get away with going the long way round for a higher fare. The reason for his question soon became clear.

Just a few minutes later, having skirted past some familiar landmarks including the Philharmonic Hall and the Metropolitan Cathedral, we pulled into a run down little area and then onto a street that I vaguely recognised from the TV feature.

“Are you sure it’s here? What’s the door number?” enquired my bemused (and apparently a little concerned) driver as we inched down the street, studying the houses, some boarded up, none looking like a winter garden.

Two women were sweeping the pavement in front of the target address, another tidying a planter of geraniums. It was clearly a community effort and, when I caught a glimpse of the glass roof sparkling in the sunlight, I knew I was in the right place. The amused taxi driver acknowledged a ‘learn something new every day’ moment then drove off, leaving me to the attentions of the residents.

Prior to the Gardeners’ World piece, I had heard about the Granby Four Streets project. Four adjoining streets in the Granby area of Toxteth, many of them derelict and a long time unoccupied, had been earmarked for demolition, an eye sore in an area of the city still scarred by the social and economic impact of the 1980s and 90s. Some steadfast residents were determined to stay put, and a strong community spirit prevailed. A change of plan in response to the ever increasing the need for housing in the city, and the recognition of the desire for regeneration, resulted in some of the structurally sound properties being sold off for one pound, subject to terms and conditions, such as a deadline for the renovation to be completed by and proof of having the funds to carry out the work.

A few properties on Cairns Street are still boarded up, though look more like botanical art installations, thanks to the efforts of a few of the residents and their determination to give their street a lift, including painting bricked up windows and doors and placing planters in abandoned gardens.

Two adjoining houses deemed unsuitable for renovation ( the costs would be too high) have been put to an alternative use as a winter garden, an evergreen space for the community – and visitors – to enjoy all year round. Knocked into one space, opened up and with a glass roof installed, the result is stunning.

A few of the many activities hosted at Granby Winter Garden are weekly yoga sessions and ESOL ( English for speakers of other languages) conversation classes. The space is also used for community meetings and on some evenings becomes a music venue: Wednesday night is jazz night.

Beautifully renovated with the original fireplaces and some other features preserved, the Winter Garden – staffed by volunteers – feels homely, cosy and of its age and at the same time modern and new.

The volunteer on duty, a student, told me he preferred working on his laptop surrounded by the plants and trees than in the university library. He asked if I’d seen Gardeners’ World, as it seemed I was not alone in being prompted to visit following the broadcast. I asked him to point me in the direction of the alley garden; better still, he led me to it, out through the back gate. Like many similar spaces in towns and cities with high crime rates, the ‘backs’ here have gated entries and are only accessible to the residents whose homes open onto them. For me, that was through the winter garden.

A charming and very informal ensemble of planters, bits of art and refurbished household objects, the alley provided a lovely walk.

And somewhere for neighbours to sit and chat.

A lady called Rosemary was hard at work in her role as ” Head bottle filler”, ensuring a plentiful supply of water was on hand for the copious and thirsty greenery. We chatted briefly and Rosemary asked if was with the BBC or otherwise in the media, interestingly not the first time I’ve been asked that; perhaps my proper camera rather than my phone, and my curious questions give that impression. Reassured that I wasn’t from the BBC ( the chance would be a fine thing!), Rosemary chatted a bit more about plants before noticing that Paul, one of the co-founders of the alley garden, was outside his gate.

Paul (on the right), one of the co-founders of ‘Alley Pally’

I recognised Paul from the programme and congratulated him on his and his wife Elizabeth’s venture. I asked him about being on Gardeners’ World; he told me he wasn’t a regular viewer but had seen the piece and was happy with it, though his and Elizabeth’s interview had been significantly edited, the original having been several minutes long. Mindful of how long it takes me to water and tend to my own very little garden, I take my hat off to Paul and Elizabeth for their willingness to put in the effort for their neighbours. It’s wonderful that some of those neighbours enthusiastically share the work. Gardens are places for sharing, all the more so in Granby.

If you are interested in watching the feature on Gardeners’ World, you can find it on BBC iplayer, episode 17 (starts 24 minutes in and runs for just short of 8 minutes).

You can read more about the Granby Winter Garden here, including when it is open for visitors:

https://www.granby4streetsclt.co.uk/whats-on-weekly

A splash of colour at the Bluecoat

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Today was exceptionally grey but was the first dry day for nearly a week, so I decided to go out for the afternoon. Monday through to Friday I go to work before sunrise, and it’s dark again by the time I get home, so weekends are particularly precious in winter.

I took the train to Liverpool with an entirely different intention, but having failed to find what I was looking for and with just a couple of hours of proper light left, I decided just to ‘potter’.

Catching sight of the Bluecoat, I realised it must have been two or three years since I’d last gone inside, so I decided that looking at some art would be a good way to salvage what risked becoming a wasted afternoon.

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The Liverpool Bluecoat was opened in 1725 as a school and is the oldest building in Liverpool city centre. The initiative of the Rector of Liverpool, Robert Stythe, and Master Mariner, Brian Blundell, its purpose was to educate the boy pupils, through Christian charity, in the tradition of the Anglican faith. It functioned as a school for nearly 200 years until growing pupil numbers required relocation. From the time it closed as a school in 1908, it reinvented itself as the arts community hub which it still is today.

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Parts of the elegant Queen Anne style building are now used by independent businesses.

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Once inside, a large and airy a cafeteria offers a nice space to have lunch away from the hustle and bustle of the city centre just a stone’s throw away.

The Blucoat runs a variety of arts projects and exhibitions, and until late February is hosting It’s My Pleasure to Participate by London-based American artist, Alexis Teplin.

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The artist works through an unusually varied media of paint, sculpture, film and performance which draw on traditions from art history including still life, landscape painting and literature. The same themes of both vivid and muted colour and robust and delicate materials  flow throughout the exhibition, linking all into what’s described as an ‘expanded painting’, beyond the flat of the canvas.

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The actors in the film above, which plays on loop, wear some of the same costumes on display in the gallery. I didn’t watch the whole film but I was intrigued by how the spellings of some words had been changed in the subtitles, still clearly recognisable as the actual words, but with an altered poetic quality. I captured a couple of examples in the images above.

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The objects on the beautifully crafted metal table above represent typical subjects used in still life paintings; each, including the blown glass pieces, has been created by the artist.

I enjoyed the exhibition and ‘got’ the concept of the ‘expanded painting’. I would have struggled to interpret any of the objects in isolation, but the the point – which escaped me at first – is that they are not isolated, but one piece.

A glimpse of some foliage led me into the garden which still looked charming for the time of year.

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So the day didn’t turn out quite so grey after all.

Liverpool’s Walker Art Gallery

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For many of us, Sunday can too easily turn into the day before we go back to work rather than part of our well-deserved weekend. Thoughts can turn to preparing for the week ahead and the list of tasks that await us on Monday and the days that follow. Even if we like our jobs, we can do without the tendrils of toil creeping into our free time. Does this scenario sound familiar to you too? I decided that in 2019 I will reclaim Sundays – grab them back from the looming presence of the working week.

I use public transport which is significantly reduced on Sundays so travel can be difficult, wasteful of time and sometimes more trouble than it’s worth. I’ve set myself a few Sunday Rules to make sure I don’t end up wishing I’d stayed at home instead.

1. Sunday is about relaxation and indulgence rather than adventure

2. Easy one-stage journeys. No connections.

3. No early starts to cram in as much as I can.

Today I took the train to Liverpool to look at some art. The Walker Gallery is in the city’s cultural quarter, a very short walk from Lime Street station. I like to wander round and look at my favourite paintings, sometimes sitting for ages and noticing details which I hadn’t spotted before. Today I went to see a new exhibition.

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I love the art of Glasgow Style, in particular the designs of Charles Rennie Mackintosh. Having visited the Kelvingrove Art Gallery a few months ago I was thrilled to  read that some of those exhibits and others on loan from some private collectors would be shown at the Walker. Admission to the exhibition was ( I thought) expensive at £10, but there were some exquisite items of furniture, ceramics and glassware which I hadn’t seen before. Permission for photography is still pending from two of the contributors, so unfortunately I can’t share any images here. It is hoped that the permissions will be granted before the exhibition ends in August. You can read about my visit to Kelvingrove Gallery here.

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Another important collection is attracting lots of visitors at the Walker: the drawings of Leonardo Da Vinci. I have to confess at this point that I’m not enraptured by these sketches. I saw a similar exhibition in Manchester a decade ago on a much smaller scale, and although they are undoubtedly very detailed and impressive, I wonder if the excitement is perhaps due to the status of the artist rather than the works themselves. As I was on site I decided to take a look. It was difficult to take photographs due to reflections.

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My favourite: The head of Leda, circa 1505

After Da Vinci I went into my favourite room which hosts an eclectic mix by British artists from 1800 to 1950. Here are a few I like best.

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Mother and Child, 1938:  Ceri Richards

This abstract cross between sculpture and painting depicts a gentle kiss between mother and child. I love the simplicity of this construction. A perfect image for Mothering Sunday.

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The Waterloo Dock, Liverpool, 1962: LS Lowry

In this painting the water of the river Mersey is white and difficult to distinguish from the snowy ground. It gives the impression of somewhere much colder, perhaps eastern-Europe of the time.

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The Liver Buildings, Liverpool, 1950: LS Lowry.

Like the Waterloo Dock painting, this looks like a wintry scene. The Liverpool waterfront fades into a soft backdrop to the bolder and disproportionately sized plethora of boats. This is one of my favourite Lowry paintings.

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The Fever Van, 1935. LS Lowry.

The ‘Fever Van’ of the title is  the ambulance which has come for a victim of diphtheria, scarlet fever or one of the other contagious and often fatal diseases prevalent in Salford at the time

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Mrs Mounter, 1916: Harold Gilman

Mrs Mounter was Gilman’s cleaning lady as well as his muse. I love the colour in this painting including the wallpaper panel in the background. I like the ordinariness  of Mrs Mounter’s expressive face.

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The Bathers, 1948: Bernard Meninsky

I’m not familiar with Russian born artist Meninksy’s work apart from this one glorious painting. I love the sheer abandonment with which these women head across the beach to the water’s edge.

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Interior at Paddington, 1950-51: Lucian Freud

The grandson of psychologist Sigmund Freud, Lucian Freud painted this for the Festival of Britain in 1951, a showcase for new British talent. The subject is Freud’s friend, Harry Diamond. He seems to be retreating into the alcove, unsettled by the quite sinister-looking plant. Very Freudian!

After feasting my eyes on works of art I treated my taste buds to a delicious hummus salad wrap and bottle of Dandelion & Burdock in the Walker cafeteria before strolling in the sunshine back to the station. Sunday Rules work for me. Have good week!

 

 

 

Formby Point: the beach beckons

Happy New Year to all – and welcome to my first post of 2019! I’m really excited about the year ahead and about sharing some of my adventures with you as we travel around the sun one more time. I’m quite new to blogging myself and have been inspired by some great writers who I have found over the past year or so;  I look forward to following my favourite blogs again this year and to making some new discoveries.

And so it begins. January arrived, dry and bright. I carried on with the ruthless clear-out I started after Christmas, and I even got out into the garden for a bit of a tidy up in preparation for the start of the new growing season. Spending time in the sunshine always makes me feel good, no matter what the time of year.

Today was reasonably mild and the sky a joyous blue, so I decided to make my first seaside outing of 2019.

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Formby is a coastal town between Liverpool and Southport in the north-west of England. Its abundance of very rich and celebrity residents (including premiership football players) and luxury properties has resulted in the dubious nicknames  Califormbia and Formby Hills. The chances of me recognising (or even having heard of!) a reality TV ‘star’, a current ‘soap’ actor, or a football player are roughly equal to the chances of one of them recognising me. I was really hoping to see some of Formby’s other famous locals, the indigenous red squirrels whose abode is the large area of National Trust pine woodland which stretches out along the Formby coast. Unfortunately, it wasn’t to be on this occasion.

Temperatures had dropped overnight and the ground frost sparkled in the sunshine. Sections of felled fir trees had been left on the path.

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There are two approaches to Formby beach: the first which is shorter and probably more popular involves a very energetic scramble over a range of steep sand dunes; the second – which I opted for – took me on a longer, beautiful meander through the dunes along a sandy path. The azure sky and the landscape reminded me of long ago Aegean holidays.

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Several benches along the walk have been dedicated to the memory of people who loved to spend time here. What a lovely way to be brought to mind each time a loved one or stranger sits for a while to admire the vista.

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On top of the dunes, sand mountaineers looked out to sea.

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Squawking magpies kept their own lookout from the trees tops.

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And apparently it’s never too cold for an ice cream.

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The National Trust has laid a long board walk to make the beach accessible for prams, wheelchairs and folks like me who don’t climb dunes.

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The entire path from the Lifeboat Road car park down to the beach is navigable for wheels and bad knees. Here, I made some new friends in their stunning hand-knitted jackets.

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The board walk ended and the wide beach came into view. The tide was out and the firm sand was perfect for walking. whether on two legs or four.

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One of my new colourfully-clad friends insisted we had a long game of throw and fetch the stick. Fortunately, he did all the running!

With my playmate called away to rejoin his family pack, the steps of the lifeboat station served as a convenient bench for me to sit for a while and enjoy my first beach visit of the year… hopefully, the first of many.

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Birkenhead Priory

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In 1150, an order of Benedictine monks established a Priory church at Birkenhead on the estuary of the river Mersey. They were the first Mersey ferry men, supervising travellers on their journeys across the river. The Benedictine community seems to have lived quietly on the site, though there are records of some of the monks having had colourful pasts, including one who had been convicted of murder but had travelled to Rome for absolution from the Pope before commencing a life of religious devotion at Birkenhead.

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Over the next 200 years, the site was developed with the addition of a hostel and scriptorium. A small monastic community lived at Birkenhead until the Priory was dissolved in 1536, after which it was sold into private ownership.

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The Priory is small and has a tiny but pretty garden which includes a couple of herb beds, sadly having lost their characteristic scents as winter looms. I imagine it’s peaceful sitting here in the warmer months.

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By the 19th century, the chapter house had been left to become a ruin but is now back in use for religious services. The congregation must be small but what a lovely place to gather.

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Above the chapter house is the scriptorium which is dedicated to HMS Conway, a navy teaching vessel which was founded in 1859  to improve the training of merchant navy officers. The original ship was replaced twice over the next hundred years but the new ships retained the name. At the time of my visit one of the Conway ‘old boys’ was on hand, talking to visitors about his time on board.

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The ship was moored at Birkenhead near to the Priory before being moved to Anglesey during World War II when German bombers started targeting Liverpool, England’s second major port. She met her end in 1953 when returning to Birkenhead for a refit, and running aground.

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Behind the church, the outer wall has been transformed and spotlights added. This must make a stunning sight by night,

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The Priory undercroft is smaller than I had expected and slightly cluttered by the addition of some exhibits which I felt took something away from what could have been a very serene space. However, cleverly arranged lighting showed the exquisite arched ceilings.

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From the undercroft a stair case leads up to the tower and to a spectacular view of Birkenhead and Liverpool but the day was declining and I had another place to visit, so I wasn’t tempted to climb the 100+ spiralling steps.

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The links to the river have remained. Camell Laird ship building yard provides an interesting juxtaposition as a large yellow crane looks down on the Priory grounds.

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William Laird set up the Birkenhead Iron Works in 1824, its prime purpose being the manufacture of boilers. His son, shipbuilder John Laird, joined him 4 years later and the company soon became pre-eminent in the manufacture of iron ships. John Laird & Sons joined with Sheffield firm, Cammell Johnson in 1900.

John Laird became Birkenhead’s first mayor and was responsible for bringing about great improvements in the town, including maintaining a police force. He also served as the town’s first MP from 1861 to 1874. He is buried in the graveyard next to his shipyard.

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For me, this was the perfect time of year to walk among the fallen leaves and enjoy the battering of the coastal wind against ancient stones which have stood for nearly a millennium and may still be there for another.

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Birkenhead: stories of war and sea (and hidden treasure)

A hundred years ago today, English war poet Wilfred Owen was killed in northern France, just one week before Armistice Day – 11th November 1918 – marked the end of World War One. I was first introduced to Wilfred Owen at school, and during the decades since then I have been moved and disturbed in equal measure by Owen’s graphic depictions of the realities of war through the eyes of one who lived it.

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This year marks the centenary of the end of the Great War and has engendered much media attention, including the story about the unveiling of a statue of Wilfred Owen in his home town of Oswestry in Shropshire. I was surprised to read that the poet spent a significant part of his life in the town of Birkenhead where his father had worked on the rail network, mainly at the now demolished Woodside Station near to the docks.

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The Wilfred Owen Story in Birkenhead is run by a charity and celebrates Owen’s connections to the town and his war poetry. The weekend of the 100th anniversary of his death seemed like an ideal time to take a look in combination with visits to two other local places of interest. Unfortunately, this was not to be. The Wilfred Owen Story is only open on three weekdays for just a few hours, with no exception being made this weekend despite the historic occasion.

After exploring other parts of Birkenhead, I returned to Hamilton Square en route to my final destination. Even though it was just 3 o’clock, it was a grey afternoon and the sun hadn’t broken through the cloud cover all day. The elegant Georgian Square was all but deserted and I enjoyed the colours of autumn in solitude as I walked the pathways by the cenotaph.

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A chance encounter led to another war time story and a tale of treasure salvaged from a distant sea bed. As I trained my lens on the cenotaph, the only other person in the Square paused so as not to walk into my shot. I thanked him, and this led to an interesting conversation.

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Keith ‘Scouse’ Cooper told me the story of a world record breaking salvage operation which took place in 1981 in the Barents Sea 240 km off the coast of Russia and Norway.

Over 400 bars of gold bullion were retrieved from the wreck of HMS Edinburgh which was scuttled by her crew on 2nd May 1942 to avoid capture, three days after being hit by torpedo fire by German U-boats. The gold – worth about 1.5 million pounds (about 65 million in today’s money) – had been loaded just days earlier in Mumansk, Russian part-payment for supplies and military equipment, and was on its way to Britain.

After nearly 40 years on the sea bed, the  bulk of the gold was finally brought up from the designated war grave more than 800 metres down. Keith was one of the divers involved in the international salvage operation. I asked Keith if he’d got rich from his share of the proceeds; he told me the money was long gone.

Back home, I found this film online, which follows the Salvage of The Century  operation as it unfolds and the gold is hauled up by ‘Scouse’ Cooper and the other divers.

Scouse’s story linked perfectly to my next port of call which was a few minutes’ walk away next to the Mersey Ferry terminal at Woodside landing stage. Before going in, I spent a few minutes looking across the river Mersey to Liverpool waterside which looked quite lovely as dusk started to descend.

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Woodside terminal

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The commercial district

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The three graces

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The two Cathedrals

The U-Boat Story is an unusual museum and is well worth a visit. It offers an opportunity to see what life was like on board the actual German submarine, U- 534, the last U-Boat to leave Germany, which was brought to Birkenhead in 1993.

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It is still a mystery as to why U-534 and the two other type 22 submarines which accompanied her defied the German command to surrender on the morning of 5th May 1945 when World War II was declared over. Instead, her crew fired torpedoes at the British coastal command bombers which had spotted the German subs off the coast of Denmark. After some exchange of fire, a depth charge sank U-534. Almost all of her crew escaped and were rescued.

In the 1980s, suspicions arose that this last U-Boat to leave Germany might have been carrying Nazi treasures to be hidden in Norway and reclaimed after the war. She was eventually raised from the bed of the North Sea but no treasures were discovered. She was cut into the five sections, making it possible for visitors to see her interior.

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It’s impressive to see how the submarine survived four decades on the sea bed, and the interesting and informative audio visual recordings make it easier for those of us who are not mechanically-minded to make sense of what we are viewing.

 

 

 

 

Inside, the exhibition centre has an interesting display which includes U534’s time line and houses additional artefacts which were recovered.

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A display of everyday items including wine, board games, shaving equipment and personal nick-nacks remind visitors of the ordinary human lives combatants lived before and during the conflict, and that those lost were not just militia, but men.

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Anthem for Doomed Youth -Wilfred Owen

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells,
Nor any voice of mourning save the choirs, –
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing down of blinds.

 

 

 

The Bombed Out Church – St Luke’s, Liverpool

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Bold Street is my favourite place in Liverpool; a quirky, alternative spot, home to some fabulous places to eat, international and organic food retailers and ethnic and arts shops. Look towards the top of Bold Street with your back to the city centre and you will see what first appears to be an ordinary church; but things are not always what they seem. Any native of Liverpool will be able to tell you why this church, St. Luke’s, is different. For those who are not ‘in the know’, keep on walking and you’ll find out…….

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St Luke’s, colloquially known as the ‘bombed out church’, stands as a proud shell of its former self – literally. It was built to serve the Anglican community of city centre Liverpool after Lord Derby granted the land on Leece Street to the Church of England in 1791, apparently on condition that it be always used as a church and that no burials take place there. The building was completed in 1831.

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The good people of the city worshipped uninterrupted at St. Luke’s for over a hundred years until a fateful day in the spring of 1941. Britain was at war with Germany and nightly air raids were commonplace, affecting many British towns and cities. Outside of London, Liverpool was the most targeted location in the country, due to it being a major port. In May of that year, the German Luftwaffe attacked Liverpool for seven days in a row. St Luke’s was hit by an incendiary device, thankfully at a time when nobody was within. The church blazed for three days before finally revealing all that was left – a roofless shell. Some photographs of the blitzed city and church are displayed within the modern space.

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After the war, Liverpool Council planned to demolish the remains of the church, but there was a public outcry; to the people of the city, the ‘bombed out church’ was a symbol of survival and strength. Happily, the plans were dropped, but over the years the site became neglected.

About fourteen years ago Ambrose Reynolds, founder of local arts organisation Strawberry Urban Lunch, sparked a regeneration of interest in St. Luke’s by using it to host arts events in commemoration of the blitz and its survivors. Within a few years he was granted stewardship of St. Luke’s and through a lot of hard work and receipt of financial support, he and his team were able to open the space to the public once again.

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The building has been put to some creative uses during the last decade, including live music and outdoor cinema events, educational projects and art exhibitions. It has even been a wedding venue. Paul McCartney and Yoko Ono have counted amongst its patrons, though despite the high-profile support, St Luke’s has struggled for its survival over the last few years as austerity cuts have hit the north west particularly hard. Ambrose Reynolds and his team have fought this all the way, determined to preserve this amazing space and living museum for the city of Liverpool. Thanks to sheer hard work and determination and whatever financial support they have been able to get their hands on, these brilliant people have been able to secure the future of the bombed-out church, at least for the next thirty years.

The space is currently used for an eclectic range of activities from daily Tai chi and yoga through to performance art. The thing I really love about this special little place in the big city is that it has not, despite its iconic status, developed affected arty airs; it stands in simplicity, displaying its war wounds: charred timbers, glassless windows and warped metalwork, a real symbol that life goes on and human spirit survives conflict.

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