Rufford Old Hall

Last Sunday was forecast to be a rainless day, a rarity in an early spring which has so far been the worst I can remember. Not since the 2018 visitation of ‘the beast from the east’ has there been such a succession of storms, sleet, hail, heavy rain and fierce winds well into April. With pleasant days few and far between of late, we decided to make the most if it and get out and about.

A half hour drive through charming rural west Lancashire took us to Rufford Old Hall, a sixteenth century manor house originally built by Sir Robert Hesketh, illegitimate son but legitimate heir to an estate and title more than seven generations old. The Hesketh family held the title of lords of manor of Rufford from the fifteenth century until 1936, when the Hall and many artefacts and items of furniture were donated to the National Trust.

In 1798 Rufford New Hall was built nearby and became the swankier, modern Hesketh family abode. Directed by Google, we initially pulled up at the New Hall, immediately realising this was not the place we were looking for, but driving into the grounds anyway to see if there was a way through. Two Burberry-clad ladies in posh green wellies stood chatting near to a row of garages and did not look too pleased to see us. It transpired that the New Hall, now luxury apartments, was their home and we were two of many lost visitors who regularly wound up on their very exclusive grounds and that they were ” ****ing sick of it.” We apologised, blamed Google and drove away, though not before being advised to tell “your mates” to get their directions right. Back on the road, we laughed, having been reminded of our place in the world by the very classy, monied folk at the New Hall.

The cobbled courtyard, which became very busy later in the day

National Trust properties tend to have a standard visitor admission fee of £12, which seems quite expensive but on closer consideration is good value for the essential preservation work that’s carried out annually and the generally very positive visitor experience. Though relatively small, Rufford Old Hall was one of the best maintained properties of the many we have visited. We both commented on how airy and clean it smelt and felt, no hint of damp, mildew or dust anywhere.

Entrance to the 19th century gardens
The Great Hall from the gardens

The house had originally been designed to an H plan, but only the Great Hall and East wing (rebuilt in the 18th century as an accommodation block) remain, the west wing having been left to disrepair and eventually demolished.

We made our way through the downstairs rooms where guides were on hand to answer questions (and to make sure nobody was taking forbidden photos). Because photography is only permitted in the Great Hall, I can’t share images of the four or five other ground floor rooms. It was explained that the photography ban was because many of the artefacts and paintings were only on loan to the Trust and, contractually, could not be photographed. The contents of the Great Hall, on the other hand, are the Trust’s property, so visitors are free to snap away.

The framed diagram labels all of the component parts of a suit of armour. Who would have thought each was called something different?
Sad and at the same time sinister
Chanfron for protecting a horse’s head. Poor horse!

An impressive range of armour and weapons adorned the fireplace wall. The not-so-cosy-looking fireside chairs are solid oak and original to the property, like everything in the room. Signage here is friendly, asking the curious and tactile amongst us to ‘try not to touch’, realising that we may find it hard to resist, though some delicate objects are strictly off limits. Sitting on some of the more robust chairs was also allowed.

Storage cabinet from 1670- made to last!
Sideboard with interesting engravings

This serpent imagery recurred in various objects and is a variation on similar fantastical sea-creature imagery from the period that I have seen in other Tudor properties.

Below is the impressive movable screen, a three tonne, ornately engraved wooden room divider. It is never moved now, as it is much too heavy and would probably sustain damage. Deliberate mistakes were made in the design, including a missing finger on the hand of one of the engraved figures, as acknowledgment that only God can create perfection.

One of the volunteers plays the lute for visitors.

The serpent image appears again in this stained glass window. Can you also see the Manx triskelion (three legs), an ancient symbol depicting movement?

Water pump
Horse drinking trough

The gardens at Rufford are small but pretty and well-kept and well worth a stroll around. The Leeds and Liverpool canal runs alongside, offering long and scenic walks and a chance to admire the colourful boats moored along the towpath.

Can’t get more free range than that

Our walk took us past the nearby church and to a friendly little brasserie where we enjoyed afternoon tea before walking slowly back to the car park for the drive home. It felt like spring should feel, and the bluebells nodded in agreement.

Saddleworth Road trip

Back at the beginning of September on a beautifully bright Sunday I set out with a friend to explore Saddleworth Moor in the South Pennines.

Covering about 5,000 acres, Saddleworth Moor is part of the Peak District National Park, rising to over 400 metres above sea level. Sprawling farmland, elevated expanses of purple heather and bodies of still, calm water stretch for miles in all directions; sheep take comfort in the shade of dry stone walls in late summer fields, or graze high on hillside paths, little more than moving white dots in the distance.

Between 1963 and 1965 Ian Brady and Myra Hindley, otherwise known as the moors murderers, tortured and killed five children and buried four of them within this landscape. Three of the children’s bodies were discovered in 1965, but Keith Bennett, aged 12 when he was killed, remains buried on the moors. Amongst the most notorious in British history, the moors murders cast a dark shadow on the landscape for decades. Brady and Hindley are both dead now, and though not forgotten, the graphic imagery that linked the moors with those horrific events has faded with time.

We had unintentionally coincided our day out with the start of the UK leg of the Tour de France that passed through not only my own home town of Wigan but also the Saddleworth village of Upper Mill, where we stopped off for a very mini boat ride down the Rochdale canal. It’s free, though donations are welcomed, and is staffed by volunteers. We boarded the barge behind the museum and bookshop, just ourselves and a young dad with a toddler.

Even by late morning the day had become uncomfortably hot for being in the car, so a shady interlude beneath a green canopy was welcome as we slowly moved along the water for a couple of hundred metres before turning round and disembarking.

The museum seemed to be a popular attraction, again staffed by volunteers, this time dressed in the style of bygone times. On a less busy day we might have been tempted inside.

Anticipating the appearance of the Tour de France competitors, cycling enthusiasts lined the high street’s pavements, and outside the cafes every available table taken, but we found a spot inside for a refreshing peppermint tea.

I’d read other blogs about Upper Mill and was expecting it to be more quaint and bohemian, though to be fair, we didn’t really venture beyond the crowded main street, so perhaps missed some hidden gems. We finished our tea and a very large slice of cake each, before making our way through the roadside crowds and back to the car.

Typical of the very old and very beautiful stone houses in the village
A warm welcome for the Tour de France

We wound down the windows and had just left the busy little car park when, quick-as-a-flash, blink and you’d miss them, the troupe of lycra-clad cyclists zipped past to the sound of cheering, almost drowned out by the hovering TV helicopter overhead. Needless to say, they were far too fast for me to catch the moment on camera.

Back on the road, we set a course for another of Saddleworth’s villages, Delph. The day was glorious – a perfect picture of verdant English countryside under a clear blue sky – but a bit too warm for driving around for the sake of driving round, so we were glad that Delph was just a few miles away.

Delph was exceptionally quiet in contrast to busy Upper Mill. We found a spot in an almost empty car park at the side of a church and decided on a stroll around the village. Following a path behind the church yard, we passed some allotments and ambled towards some very attractive houses at the side of the river.

Marker shows the height the water reached when the river flooded in July 1872.

What at first seemed like a private access path proved to be another pleasant riverside walk past sloping gardens, beehives and impressive houses.

Residents have generously planted and maintained the side of pathway.

A few other folks meandered along the lane, otherwise Delph appeared sleepy and dreamy in the mid day-sun, the vivid shades of flowers in path-side planters adding to a chocolate box image.

Is this the oldest and loveliest chippy in the world?

We walked a different route back to the car and happened upon a fish and chip shop over two hundred years old that sadly was closed, so no chips for us. Back in the car and back on the winding roads we went, in search of lunch and the next adventure.

Riding into the sunset

Having enjoyed an afternoon mooch around sunny Southport and a stroll on the sand, I headed back to the train station for the journey home. It was 15:17 and the brightness of the afternoon was fading fast. The journey would take just 33 minutes, but dusk was approaching, and the last of the winter daylight would almost have gone by the time I arrived back in Wigan.

Just a few minutes out of town, behind us now the retail park and long terraces of B&Bs, we reach the start of several miles of mainly agricultural land.

I have my Kindle poised, ready to resume the le Carre I started reading again yesterday, more than 20 years after being enthralled by the paperback publication, later made into a film with Sean Connery in the lead role, playing a very different sort of spy.

The Kindle’s still poised as I find my attention drawn instead to the view from the window, one scene quickly changing into the next as the train speeds ahead through the arable landscape.

The track cuts through a patchwork of fields, a vast open space as far as the eye can see in shades of gold, ochre, muted and vibrant greens, rusted oranges and rich browns. The sky is still blue, and the light plays on water and earth, casting shadows or setting on fire.

A few stops outside Southport and a ticket inspection is underway. At this time on a week day afternoon, we passengers are small in number and a well-behaved lot, every conductor’s dream. In this carriage there’s only me and a young woman sitting behind. We both produce our tickets and receive thanks and a winning smile. The conductor moves on.

Back to the window. In the few minutes that I’ve been distracted, the light has faded a little more, creating a somewhat mysterious effect.

Acres upon acres of farm land lie mostly dormant, long since harvested, recovering and reenergising for the next planting, though some reveal signs of recent working and a few even show off healthy winter crops. An abundance of cabbages and kale are grown in West Lancashire.

The train slows as we approach the next stop, the attractive station house now defunct and possibly under development for another use. The lady announcer reminds us, if we are alighting, to take all our belongings and mind the gap between the train and the platform edge. A passenger from the next coach heads towards the door nearest me, belongings in hand and ready to watch for the gap. She wishes the conductor a good evening and good luck in the next round of strikes next week. Did I really hear that? I must have, as the conductor laughs and replies, “We’ll need it.” Satisfied that no more passengers are going make a last minute dart out of or onto the train, she steps up from the platform, locks the doors, and we’re off again.

A gorgeous full moon is now visible behind the thin clouds, though it has failed to appear in these photographs. Look at the sky and it could be 10:30 pm in mid-June, only the bare-branched trees and the russet hues revealing the true season.

A couple of stops before home, the enchanting views gradually subside, replaced by scenes of industry and domestic life. Russet grasses become trackside rusted metal, and vast housing estates replace furrowed fields. Street lights, Christmas lights, traffic and hubbub announce our return as we slowly pull into Wallgate station. The lady announcer gives the reminder about belongings and another gap to watch out for, and thanks us for travelling with Northern Rail. On the platform, the pleasant conductor gives another winning smile. I don’t mention strikes.

A look around Turton Tower

Turton Tower is a property of mediaeval origin situated between Bolton and Darwen in Lancashire. It’s made up of three distinct and originally separate buildings, the stone tower being the oldest dating back to the 16th century. In later times, the other buildings were added and eventually all three were consolidated, with the newer additions constructed in the older Tudor style for an homogenous and perhaps more grandiose appearance.

In the 1920s, the property was given to the local council for the benefit of the local community and it’s run by a professional, knowledgeable and friendly team of volunteers, on hand to provide guided tours and a wealth of information. The American lady in the reception area/ gift shop revealed that she hailed from Detroit, where a couple of my granddad’s older brothers had emigrated in the 1930s to find work in the Ford car factory. Years ago, when I was seriously into genealogical research, I sourced the documents which outlined their initial passages from Southampton and Liverpool respectively as they set sail for their new lives. I could happily have chatted for longer to find out more about Detroit but more customers arrived and our tour guide invited us to start our exploration.

Look closely at the sizeable front door to spot a much smaller door within, a clever way to prevent ill-intentioned callers from entering unhindered and wielding their swords, possibly like the fine example displayed below.

What old English country house would be compete without a suit of armour or two? A less than discreet design feature allowed for the call of nature to be answered.

Most of the artefacts, whilst totally authentic and in keeping with the various periods of its occupation, do not belong to Turton Tower but are on loan from the Victoria & Albert Museum. There are some splendid examples.

A grand if not very comfy-looking seat
ornate engraved cabinet
Early 18th century engraved box
A child’s bed engraved with sea creatures and mermaids, themes that can be found in other houses of the same era
Some of the most interesting exhibits were a variety of chairs, including
An amusing engraving
This exotic looking example
This intriguing ‘reading chair’, designed for men to sit facing towards the back, leaning on the arm rests to enhance the reading experience. The back of the chair, at crotch level, contains a little door, obviously essential for reading

All of the rooms were well presented and, perhaps because the exhibits were on loan and carefully chosen, there wasn’t that over-stuffed feel that I’ve encountered at some similar historic houses where much of what was on show seemed superfluous and untidy.

The drawing room with furniture from different eras
Top floor of the tower which provided a perfect lookout for approaching enemies, wattle and daub wall section exposed

One of my favourite objects was not one of the oldest but this gorgeous clock which shows the phases and faces of the moon peering out as if from behind the clouds . I’d never seen a clock like it, but our guide, Margaret, remembered her granny owning one and thinks they were probably not uncommon. I would love to see this charming timepiece in working order.

It was time for a cup of tea in the sunshine, so off we went to the little outdoor cafe, to enjoy the fresh air and the daffodils on a perfect spring day.

Whalley Abbey: dissolved but not forgotten

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This is the second week of my Easter break from work, and in these strange times all that means is that I’m just not looking at anything work-related for a fortnight. On Monday morning I’ll take up my position at my home desk and work on whatever can be worked on within the limitations imposed by distance and technology. At the onset of lockdown I thought working from home would be easier than the reality has proved, hence my present ‘hard line’ on taking this two weeks’ leave. Still, I’m immensely grateful and relieved that I’m able to continue working and have security and peace of mind where so many others now face uncertainty.

Being blessed with excellent weather, I’ve spent much of my time contentedly pottering outside: sowing, re-potting, pruning and repairing. I’ve also been able to finish a couple of books, both sidelined some weeks or months ago, and am now, after a slow start, just over a hundred pages into Hilary Mantel’s The Mirror and the Light. This final part of the trilogy which charts the rise and fall of Thomas Cromwell has been a long time coming, and I know that I have not been alone in wondering, impatiently, what was taking Hilary so long. I read somewhere that she was finding it hard to write the end; to finally put Cromwell’s head upon the block. Hilary Mantel is a perfectionist, which is the real reason for the gap between Bring up the Bodies and this finale. Having been awarded Booker prizes for instalments one and two, the pressure to maintain that standard a third time must have been immense.

Thomas Cromwell was a key figure in driving King Henry VIII’s programme of dissolution of the monasteries as part of the English Reformation. Henry’s main interest was in the considerable revenue which, confiscated from the wealthiest monastic establishments, could boost his kingly coffers. For Cromwell, apart from wanting to impress his boss, the king, his own agenda was more theological, being strongly in favour of rooting out all things papist.

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All this talk of Tudors and Reformation brought to mind another of my favourite places, Whalley Abbey near Clitheroe. Now owned by the Church of England, only ruins remain of the 14th century Cistercian monastery. More modern (still centuries old) buildings on the site are in use as a spiritual retreat and conference centre. I was first introduced to Whalley about 10 years ago by a friend who was training to be a counsellor and had taken part in a residential course there. She had found great pleasure in strolls among the ancient ruins and along the banks of the river Calder which skirts the grounds. These photographs I took on a summer’s day a few years ago capture the Abbey’s serenity.

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Of course, the Abbey was not always the peaceful location it is today. Established in the late 13th century and a work-in-progress for nearly a century after that, the monastic community had its fair share of controversies and scraps over money with other local religious powerhouses. The founders had relocated to Whalley from their original Abbey at Stanlow on the banks of the river Mersey where a series of unfortunate incidents including flooding, gales and fire damage had led to the decision to move to pastures new. An age of prosperity and calm followed and the Abbey became one of the principal landowners in east Lancashire. Rivalries in the region were fierce where money was concerned, and records dating from the last quarter of the 15th century tell of vicious feuds between the Abbott and the Rector of Slaidburn over tithe payments, with reports of the Rector’s thugs attacking monks.

The church then, as now, enjoyed fantastic wealth, and inevitably some of that was abused as records of lush living and monkish opulence describe. Of course, Abbeys were also places where the sick could receive care and the poor, alms. The rising star that was Cromwell saw an opportunity. In 1535 delegations of ‘visitors’ were sent to the English Abbeys to carry out inventories of their assets and to look for signs of superstitious practices such as promoting belief in the power of so-called relics, a lucrative business in its time. Examples of some of these finds were widely publicised by Cromwell to provide further justification for the dissolution. The Visitors’ report on Whalley was not especially damning, with only one monk apparently conducting himself lewdly, but the Abbott, John Paslew, was accused of selling off some of the church’s gold. Sanctions were placed on the community and records show that Cromwell himself was required to make judgement when the Abbey appealed. He relaxed the sanctions. Nice.

The following year, 1536, saw Abbott Paslew and many of the monks participate in the Pilgrimage of Grace, a Catholic rebellion. Paslew was executed for treason. The year after that the Abbey was dissolved. Centuries of private ownership followed before it was bought by the Church of England in 1923. It is a grade 1 listed scheduled ancient monument. To me, it’s just a really lovely place to spend some quiet time.

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I hope to go back to Whalley once some sort of normal life is resumed and spend a few hours just moving slowly around the grounds, bench-hopping, listening to birdsong and blissfully doing nothing much.

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Heysham- a village in bloom

Like a lot of people, I would love to live by the sea. Fortunately, I do live within easy distance of the coast and my favourite north-west seaside destinations, where I can appreciate the stunning views, peaceful shores, and where I can envy those who do actually reside there.

One such place is the village of Heysham in Lancashire, just a few miles outside the historic city of Lancaster and a pleasant walk down the coastal path from better-known Morecambe. Not all of Heysham is gorgeous – it is also the site of a huge power station – but its grassy cliff tops, rock pools and quiet promenade are, for me, unrivalled in the region.

The addition of the ancient ruins of St Patrick’s Chapel with its mysterious Viking barrow graves, plus the Anglo-Saxon Church of St Peter on the cliff edge, put Heysham at the top of my fantasy seaside homes list. My posts about St Patrick’s Chapel and St Peter’s Church tell more: St Patrick’s Chapel and barrow graves St Peter’s Church

Heysham is also a village in bloom, where private residents and the small community as a whole seem to be on the same green page. Many of the houses are hundreds of years old.

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The house below was formerly St Peter’s rectory but is now a private home.
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A sign outside this cottage invites passers-by to help themselves to windfall apples
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The houses below are both 17th century, like many other properties close by

On Main Street is a quirky community display with an abundance of flowers and peculiar objects which, no doubt, are significant to the village.

Recessed in a wall close by is St Patrick’s Well, named after the ancient chapel whose ruins stand on the cliff just a five minute walk away. Originally a Holy Well, it was later used by the rectory for utilitarian purposes but became contaminated and was filled with rubble in the early 1800s. Some restoration work took place about a hundred years later but it was further restored in 2002 and turned into a feature. The water is now pumped through artificially.
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The Glebe Garden is accessed from the grave yard and is a lovely example of community effort.

A path winds around the lush space where benches, each one dedicated to the memory of somebody who loved spending time here, have been placed for quiet contemplation and pleasure. Perhaps the old man modelled as peering through the shrubbery once did so in life.


There are also modern properties in the village, some of them luxurious; most of them charming. An annual Viking festival is held in July, and it looks like one Norseman just doesn’t want the party to end.

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A potential problem for those lucky enough to live in the village is being spoilt for choice between the cafes, a tea room and the pub, all of which offer delicious fresh food. It’s a problem I wouldn’t mind having though …. 🙂

St Peter’s Church, Heysham: a melting pot on a cliff edge

Yesterday’s visit to Heysham took me to the ancient ruin of St Patrick’s Chapel and the mysterious stone barrow graves at the edge of the cliff.

A short walk from the chapel ruin is the Church of Saint Peter, which also has its roots in the Anglo-Saxon period. Grade 1 listed, the building still retains some of the original fabric but has been developed over more than a thousand years, the final additions being made in the 19th century. In the main, the Church is medieval.

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The first thing that strikes me when I enter the church yard is its picturesque back drop – quite literally, it’s perched at the edge of the cliff where rolling waves flood the rock pools directly below.

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It’s hit and miss as to whether the church is open, perhaps depending on whether somebody from the parish is available to supervise. Yesterday I was lucky.

The interior is small and dark; typical of its era, with that slightly musty smell of age, wax and polish that I really quite like. Behind the altar is a memorial stone inscribed to the memory of one William Ward, vicar of the church, who departed life in 1670. The engraving style is common amongst 17th century tombstones, where words at the ends of rows are split and there are no spaces between. The window in the photo was installed in the 1300s.

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The most interesting exhibit in the Church is the hog back Viking tomb which dates back to the 10th century, around the same time the barrow graves were dug out on the cliff above. There are other hog back stones in Scotland and elsewhere in the north of England, but the St Peter’s example is considered to be in the best condition.

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The stone was brought inside the Church in the 1960s to save it from further decay. Engravings on both sides have been interpreted as tales from Viking mythology; a Christian trefoil is also depicted. The melding of Pagan and Christian narratives was not unusual.

Another interesting feature is a decorated medieval sepulchral slab which would have covered a tomb.

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Back outside, I took a turn around the graveyard to learn more about the people of this idyllic place. The lower section of an Anglo Saxon cross is somewhere in the grounds but I didn’t come across it.

The medieval stone coffin next to the path was originally under the window of the south chancel inside the Church. It contained a body, presumed to be a former rector because of the fragment of a chalice found in his hands. The body was reinterred inside.

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The post of a Saxon sun dial (the face is lost) is also grade 1 listed.

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Morecambe Bay is a stunning but particularly hazardous stretch of the north-west coast line, where fast incoming tides can rush in from all sides and catch people unaware. Some readers will recall the tragedy of the Chinese cockle-pickers who were drowned in 2004. Two years later a helicopter crash in the Bay claimed seven lives; the names of the pilot and six gas rig workers who died are commemorated on a memorial stone at St Peter’s.

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Within the railings is the grave of sisters, Agnes Wright, 18, and Mabel, 14, who drowned together in June 1895 whilst bathing near the rocks within sight of their own home on the cliff, more victims of treacherous tidal currents.

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I noticed, as in all grave yards, a few surnames recurring over the decades or even centuries, a sign of roots and continuity. I also, inevitably, noticed a few sad stories like little Stewart’s, a boy clearly popular with his school friends.

And one or two enigmas such as the young and apparently unique James McAvoy.

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My lasting impression of this village is that people and communities come and go but for all of them this has been home for a time. Some arrived from across the seas and made lives here, bringing custom and culture; becoming part of the the land and its story. Maybe they stayed; perhaps they returned to the Nordic lands or across the Irish Sea. Other folks can trace their roots here back through the centuries to Domesday. Archaeologists have discovered evidence of life at Heysham going back 10,000 years or more. It’s wonderful to be able to see the legacy of this cultural melting-pot everywhere you look.

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St Patrick’s Chapel and Heysham Barrow Graves

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Today was the first day in a while when there hasn’t been a downpour. With the forecast looking good I decided to take full advantage and head to one of my favourite places. Heysham is a coastal area just outside Lancaster, probably better known for its port and power station than for its sea views. You will not be surprised to know that neither of those facilities was the reason for my visit. A little way along the coast from the docks and the sites of industry is one of the most picturesque spots in the north west of England, and it is amazing how many people know nothing about it.

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Overlooking Morecambe Bay, Heysham’s sea cliffs are a beautiful place to sit and look down to the rock pools below or to walk the many coastal paths, appreciating the bracken, grasses and heather.

It’s no wonder that such a place as this evokes a strong sense of spirituality and a connectivity to the forces of nature. Others before us were moved to make it a place of prayer and contemplation. There is evidence that the newly Christianised Anglo-Saxons first built a small wooden chapel on the cliff head in the 5th century. That older chapel was replaced in the 9th or 10th century by the structure whose remains still stand today.

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The chapel is dedicated to Saint Patrick who was instrumental in spreading the new religion. Although associated with Ireland where he was adopted as patron saint, Patrick was an English man, hailing from the Ravenglass area of Cumbria. Aged 16, he is believed to have been kidnapped by pirates and taken to Ireland where he was held as a slave for about seven years. The story goes that Patrick had a dream in which a ship was waiting to take him home, and this spurred him on to make his escape from captivity. He boarded a ship bound for France but strong winds blew it off course to Heysham where Saint Patrick landed.

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A cemetery existed around the chapel where about 80 members of the community were interred. More interesting are the 10th century barrow graves, hewn from the rock close to the cliff edge. It isn’t known who occupied the graves, but probably figures of importance. Due to their size it is speculated that they may have held bones only. Herein, it is believed, is the reason for the building of the new and larger chapel around the same time: to provide a place for visitors to the barrow graves to pray for the souls of the dead. They now enjoy Grade 1 listed status.

I love coming here. Not only is it a lovely place to be near the sea away from the crowds, but also to appreciate those others who have left their marks on the land.

The Lune Aquaduct, Lancaster

There are few things more relaxing than sailing on a canal boat on a fine day. With average speeds not exceeding 4 miles per hour on English canals, slowing right down – in every sense – is almost mandatory. I’ve enjoyed a lot of boat trips over the years with sightseeing from the water often being on my itinerary when visiting new towns and cities. Today’s little journey took me along a short stretch of the Lancaster Canal in my home county of Lancashire.

We boarded the generously proportioned Kingfisher at the Water Witch Pub which is just a short walk from the centre of Lancaster. Kingfisher Cruises operates a range of excursions throughout the year and more frequently during the summer season. We had opted for a short sail which would take us just a couple of miles outside the city but taking in a very significant landmark.

The heavens opened as we boarded, making it necessary to stay under cover for the first part part of the journey. I was lucky to have a seat near to the front of the boat and was quickly outside as soon as the rain stopped.

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The boat meandered serenely through the tranquil water, lush green banks on both sides.


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Our destination came into view: the Lune Aquaduct.

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Completed in 1797 to take the Lancaster Canal over the river Lune, the Aquaduct has grade 1 listed status. It is over 200 metres long and spans the river 16 metres below. Built from sandstone, five arches support the water trough. Designed and constructed by John Rennie and Alexander Stevens respectively, the structure cost nearly £50,000 – more than twice the estimated budget.

The sun was shining as we approached the Aquaduct, so the skipper decided it was safe for us to disembark to better enjoy the scenery.

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A group of children was getting ready to enjoy a kayaking session, their bright multi-coloured vessels like an art installation against the sandstone.

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It would have been nice to spend more time on the Aquaduct but it wasn’t possible to moor there for more than 10 minutes, and another trip was to follow after ours. It was time to turn the boat around and sail back.

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Exploring Castle Hill, Lancaster

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I spent yesterday afternoon in Lancaster, one of the most historic locations in the north of England. It’s a small city which has held onto its medieval character, and though it has the usual high street names within its modern shopping arcades, it has avoided the towering presences of high rises and industry. The only towers in Lancaster belong to the churches and the Castle.

Lancaster Castle sits on a hill overlooking the city, a key strategic position of power. Almost 2000 years ago, the Romans settled their first garrison in a perfect spot to keep an eye on the Scots and Picts to the north, and to have access to the river Lune and from there to the sea.

The current grade 1 listed building dates back a thousand years to the Normans, though the structure has been changed many times over the centuries. Until  2011 Lancaster Castle was still in use as a prison. The notice remains in place near to the ancient door, and barbed wire is still intact on the ramparts.

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English monarchs, entitled as Dukes of Lancaster, have owned the Castle since 1265.

The Castle offers fascinating guided tours; a chance to visit the damp dark cellars where the dingy cell walls display the centuries-old scrawlings of prisoners awaiting their fates. Amongst those imprisoned and later executed in turbulent and intolerant times were the Lancashire witches and 15 Catholic priests. Many ordinary Lancastrians were also tried at the castle court. There were over 200 executions at the site known as hanging hill close to the Ashton Memorial at Williamson Park. You can read about my visit there if you click here  . A Castle tour wasn’t on yesterday’s agenda for me, but based on previous experiences I can recommend it.

Despite the blue sky and the bright sun it was windy and quite nippy on the hill so I was glad to head for the warmth of the Priory Church which is just behind the Castle. I admired the swaying congregations of spring flowers in the Church grounds.

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If I were a betting woman, I would have wagered that if there was just one day in the week when a church would be open, it would be Sunday. Not so. Incredibly, the doors to the splendid ancient building were bolted shut. I was disappointed not to see some of my favourite misericords, and to gain some temporary respite from the chill. I grumbled for a few minutes with another thwarted visitor before taking a turn around the grounds.

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On a bright day you can see the sea from the wall.

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Looking down from the Priory grounds beyond the Georgian houses and over the city, with the Cathedral spire and the Ashton Memorial in the distance.

I noticed a sign pointing to the remains of the Roman bath house and decided the follow the path alongside the burial ground.

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You can see the posts which would have supported the bath house floor, kept warm by under-floor heating. This is believed to be what remains of the the last of three Roman settlements in Lancaster.

From the ruins, I headed back up the east side of the hill and back to the Castle grounds to seek out my next destination.

On the way I passed the former premises of Gillow & Co, cabinet makers, founded in 1727 by Robert Gillow who had started out as an apprentice joiner. Some fine examples of Gillow workmanship were on display where I was headed next.

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Lancaster Judges’ Lodgings is the city’s oldest town house. It was originally home to Thomas Covell, Castle Keeper and notorious witch-hunter. From 1776 it was used as a residence for judges attending the assize courts at Lancaster three times each year as part of their circuit of the northern counties. It continued to provide accommodation for the judiciary until as recently as 1975. In the 18th and 19th centuries it was usual for two judges to be in residence along with their families and even their servants.

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The building is now a museum with the first two floors reconstructed authentically. Below, we see His Honour getting ready to leave for work at the Castle Court.

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Some of the furniture in this room was produced by Gillow & Co.

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This is a very small museum and there was a member of staff in almost every room available to answer questions if visitors were to approach them, though there was little in the way of information displays.

The building’s top floor houses the Museum of Childhood, rather incongruously, I thought. Not staffed, and very different in tone and content to the two lower floors, it felt as though there had been a left-over space that ought to be made use of. To my mind, it would have been ideal for exhibits relating to some of the cases that the judges would have tried, and for information about the assize courts system, trial and punishment throughout the ages.

Instead, there were several showcases of toys from the Victorian era up to the 1980s, including some of the most sinister-looking dolls imaginable. The lighting was poor throughout, so the photos are not the best.

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Humpty Dumpty – not like the jolly character in my Ladybird book

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The teddy looks desperate to be rescued.

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Some of this bizarre collection of curiosities and horrors on the judges’ top floor looks more like the stuff of childhood nightmares, but I’ll leave that judgement to you.